Publications
Chinese Journal of Literary Criticism
2024
- Evolution of Local Paths in Contemporary Literature
- A Transformative Analysis of the Concept of Localized Literary Classification Markers
- The Shaanxi Experience in the Mainstream Tradition of Contemporary Chinese Literature
- Collective Co-Creation: Lu Yao’s Influence on Chen Zhongshi
- Rural Bitter Love: Lu Yao’s Rural Space Construction
- Lao Teng’s Novels as Readable Texts
- Novels by Lao Teng and the New Experience of Dongbei Literature
- Chronicles of Grass and Trees: Writings on Rural Revitalization under the Candlelight of Ecological Perspective
- The Multiple Aspects of the Rural Narrative in the New Era: After Reading Lao Teng’s Chronicles of Grass and Trees
- Void Quietness, Empathy and Psychic Distance: The Transcendent Pursuit of Chinese and Western Aesthetic Psychology
- A Comparative Study of “Xu,” “Ni,” and “Xuni”: Two Perspectives on Art
- The Category of “Xushi” and Its Multi-Directional Representation in a Comparative Perspective
- What Is Close Reading? How to Criticize? : On Close Reading Criticism
- Cross the Bridge from Textual Close Reading to the Path of Modern Criticism
- Origins and Paradigm Evolution of Textual Close Reading Practices
- Rethinking the Mechanisms of Knowledge Generation in Literary Theory
- Sentimentality: Literary Experience Intervenes in the Discursive Basis of Knowledge Generation
- The Data Cage and Critical Breakout
- Freedom from Digital Myths and Strengthening the Historical Dimension
- The Critique of Digital Criticism
- The Heart Opens to Life: Reading Wei Wei’s Yanxia Li
- Spatial Narrative Method and the Spirit of the 1990s: On Wei Wei’s Yanxia Li
- Sparking Smoke and Hazy Clouds: On the Mental Picture of Yanxia Li
- The Continuity through Change of Classical Concepts of Literary Theory and Their Contemporaneity
- From the Classics to Literature: Gushibian Pai and the Modern Transformation of Chinese Shijing Studies
- A Critical Outline of Xiang Yu
- Issues concerning the Historicization of Contemporary Literary Criticism
- The Historicization and Contemporaneity of Literary Criticism
- Imagery and Simulacrum
- “The Art of Nature” and “Creation”: A Comparison of the Profound Concepts of Chinese and Western Art
- The Mutual Learning between Chinese “Implicitness” and Western “Ambiguity” — Centered on the Relevant Expositions of William Empson, Zhang Jie and Qian Zhongshu
- Online Genre Fiction as Contemporary Literature
- The Gender Perspective of Research on the Genre of Online Literature
- “Shuang” and Its Completion: The Way in Which the Online Genre Fiction Exists
- Cross-Cultural Writing of Children’s Literature in the 21st Century
- New Concepts of Chinese Children’s Picture Books in the 21st Century
- Problems and Reflections on Children’s Literature Creation in the 21st Century
- Limitations and Future Directions of Artificial Intelligence Writing
- The Production of Meaning of Literary “Creation” by Artificial General Intelligence
- New Changes in Artificial Intelligence Literary Production Methods and Reflections on Man-Machine Relationship
- “The Second Integration” Leads the Theory Construction of Contemporary Literature and Art
- Cultural Subjectivity and Its Literary Expression
- Reflections on Life Rooted in National Culture—On the View of Life and Spiritual Direction of Yousheng
- The Mind of the Times and Its Forms—Yousheng and the Problem of Narration in Contemporary Novels
- Another Kind of Epic: Native Experience, Women’s Writing, and Lyrical Variations in Yousheng
- From “Yinhe” and “Yuehe” to “Banghe”—“Harmony” and the Theory of Community in Traditional Chinese Thought on Literature and Art
- Inhale the Qi of Heaven and Earth: The “Harmony” of Ancient Chinese Scholars and Its Aesthetic Connotation
- The Construction of a Modern Chinese Aesthetics of “Harmony” from the Perspective of Mutual Learning among Cultures
- Literary Criticism of New Media as the “Digital Humanities 2.0”
- The Data Nature and Data Criticism of Online Literature
- Seeking Balance between Popular and Professional Discourse—Centred on Douban Literary Criticism
- A Comparison of the Ethics of Narrator’s Intention in Chinese and Western Novels
- From “Bixing” to Allegory—Reflection on the Opposing Modes of Chinese and Western Poetics
- Predicaments and Reflections on New Criticism’s Interpretation of Classical Chinese Poetry—Focusing on Yan Yuanshu’s Analysis of Spring Hope and Its Criticisms
- The Space of Aesthetics and the Aesthetics of Space—The Journey and Purpose of Henri Lefebvre’s Aesthetic Thought in China
- The Self, or the Faces of the Other—Urban Perception and Emotional Narration in the Novels by the Post-1990s Generation
- Urban Experience and Narrative Transformation of Youth Writing—An Analysis of Literary Works Written by the Post-1990s Generation
- Reflection, Topic and Space: A Discussion on 20-Years of Urban Literature by the Post-1990s Writers
- In 221 BCE, the Qin wars of conquest brought an end to the Warring States Period, a tumultuous era marked by…MORE
- The tradition of painting coffins is deeply rooted in Han culture, and the origin of the lian-bi patterns ca…MORE
- China’s Great Wall dates back as early as to the Spring and Autumn period.MORE
- The Miaodigou culture was viewed as the heyday of painted pottery.MORE
- Xu Zhimo was known for his efforts to set Chinese poetry free from the constraints of its traditional forms,…MORE
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For me, the three things that everyone should learn, especially in the college and university, but also in h…[详细]
