issue 15,no.3(July 2018)

Bi Feiyu’s Fictional Creation Theory: An Exploration Based on His Reading Experience
Warm and Thoughtful Literary Criticism: An Analysis of Bi Feiyu’s Fiction Class
Unspeakable Anguish: A Study of Bi Feiyu’s Trauma Writing
How Can Time Be Broken: On Bi Feiyu’s Short Story Creation in the New Century
Utility as Essence, Simple and Elegant: The Aesthetics of Traditional Chinese Utensils Design
On “Tao” (the Way) and “Qi” (Artifact) and the Aesthetic Thoughts of Ancient Chinese Utensils
On the Characteristics of the Aesthetics of Utensils
The Destiny of Rural Writings in Social Transformation
The Spirit of Chinese Culture in Rural Fiction in the New Era
An Analysis of the Relationship between Channels and Contents of Online Literature
The Narrative Grammar of Chinese Online Fantasy Novel
The Medium of Choice on the Way of “Online Literature” to Television: Starting from the “Deleted Parts” of the TV Play The Legend of Zhen Huan
Erich Auerbach and Qian Zhongshu’s Inspirations as Entry Point
The Early Modern Aesthetic Planning of the Outspoken Subject: A Case Study of the Categories of the “Nature” by Wang Gen and Rousseau
The “Beauty” in “Evil”: A Comparative Study of Shao Xunmei’s Floral Sin and Baudelaire’s The Flowers of Evil
The Translation, Acceptance and Influence of Twentieth-Century American Left-Wing Literature in China