issue 37,no.1(January 2024)

“The Second Integration” Leads the Theory Construction of Contemporary Literature and Art
Cultural Subjectivity and Its Literary Expression
Reflections on Life Rooted in National Culture—On the View of Life and Spiritual Direction of Yousheng
The Mind of the Times and Its Forms—Yousheng and the Problem of Narration in Contemporary Novels
Another Kind of Epic: Native Experience, Women’s Writing, and Lyrical Variations in Yousheng
From “Yinhe” and “Yuehe” to “Banghe”—“Harmony” and the Theory of Community in Traditional Chinese Thought on Literature and Art
Inhale the Qi of Heaven and Earth: The “Harmony” of Ancient Chinese Scholars and Its Aesthetic Connotation
The Construction of a Modern Chinese Aesthetics of “Harmony” from the Perspective of Mutual Learning among Cultures
Literary Criticism of New Media as the “Digital Humanities 2.0”
The Data Nature and Data Criticism of Online Literature
Seeking Balance between Popular and Professional Discourse—Centred on Douban Literary Criticism
A Comparison of the Ethics of Narrator’s Intention in Chinese and Western Novels
From “Bixing” to Allegory—Reflection on the Opposing Modes of Chinese and Western Poetics
Predicaments and Reflections on New Criticism’s Interpretation of Classical Chinese Poetry—Focusing on Yan Yuanshu’s Analysis of Spring Hope and Its Criticisms
The Space of Aesthetics and the Aesthetics of Space—The Journey and Purpose of Henri Lefebvre’s Aesthetic Thought in China
The Self, or the Faces of the Other—Urban Perception and Emotional Narration in the Novels by the Post-1990s Generation
Urban Experience and Narrative Transformation of Youth Writing—An Analysis of Literary Works Written by the Post-1990s Generation
Reflection, Topic and Space: A Discussion on 20-Years of Urban Literature by the Post-1990s Writers