issue 24,no.4(October 2020)

“Yu Xin’s Literary Works Grew More Perfect in Old Age, a Sturdy Brush Topping the Clouds, His Concepts Moved at Will” : On Xu Huaizhong
“He Has the Original of Character Which is Not Cut Up, and Returns Again to the Innocence of Babe”: Wang Keyu’s Character in Xu Huaizhong’s Works
Xu Huaizhong: The “Topic” Writer
Artistic Dialectics in Xu Huaizhong’s Novels
From “Art for Life” to “Art of Life”: The Internal Transformation of Value Pursuit in China’s Modern Aesthetic Education
“Establishing Great Virtue,” “Building Great Man” and “Creating Great Beauty”: On the Spirit of Chinese Traditional Aesthetic Education and the Goal of Contemporary Chinese Aesthetic Education
From “Education” to “Aesthetic Education”: An Important Evolution Path of the Concept of “Aesthetic Education” in the Early 20th Century
Dislocation of Organization and Debate of “Two Slogans”
On the Popularization of Literature and Art in the Left Coalition of Writers
Left-wing Literature and Its Derivative Issues in the 1930s: A Focus on the Discussion of “the Masses”
Hu Qiuyuan and The Dissemination and Acceptance of Plekhanov’s Literary Theory in China
On the Interpretation Methods of Ecocriticism: Taking the Chinese Novels in the New Century as an Example
Traditional Ecological Wisdom and Contemporary Chinese Poetry: Taking Yu Jian, Hua Hai and Jidi Majia as Examples
Chinese Model and Expression of Ecological Literature
Historical Investigation from the Debate on “National Form” to “Zhao Shuli’s Direction”
“Thinking Degradation” and “Thought Level”: On Jiao Hong’s View of “Grandiosity and Simplicity”
On the Spatial Characteristics of Ancient Chinese Artistic Images