issue 30,no.2(April 2022)

A Narrative Poem of Nostalgia for State-Owned Enterprise: Review of Li Tie’s Novel Jinxiu
Presenting the “Eyes of Life” in Worldly Life: On Li Tie’s Short Stories
The Significance and Limitation of the Experience of Reality: On Li Tie’s Novels
A Historical Interpretation of the Theory of Marxist Cultural Criticism and Its Influence in China
The Move of the Study of Capital towards Cultural Sociology: A Trend Analysis of the Evolution of Marx’s View of Capital
The Marxist Theory of Aesthetic Needs and Its Inspiration for Literary Research
Constructing the Value System of the Criticism of Children’s Literature with Chinese Characteristics
The Status, Problems and Methods of Scholarship on the Genres of Chinese Children’s Literature
Three Approaches to the Study of Chinese Children’s Literature
Yuanqing and Xingqing: An Exploration of the Connotation of Qing in Chinese Poetics
The Open Text: The Three-Dimensional Relationship of “Body-Mind-Matter” in “Scenario Integration”
Yirenxingqing and Einfühlung: A Phenomenological Perspective on the Confucian Idea of Cultivation
Wugan and Affectus: Two Inventions of Emotion and Their Chinese and Western Interpretations
The Spirit of Composition and the Space of Imagination in New Century Poetry
The Creative Paths and Poetic Reflections of the “Post-70s” Poets in the New Century
The Poet’s “Father” and His Spiritual Field
The Digital Humanities as Computational Criticism
“Interdisciplinary” Not “De-Disciplinary”: Applications of Digital Humanities in Literary Studies
Rethinking the Methodology of Digital Humanities