issue 17,no.1(January 2019)

Zhu Guangqian and the Construction of Modern Chinese Aesthetics
Transcendence and Worldliness in Zong Baihua’s Aesthetic Thought
The Origin of Liang Qichao’s Idea of Quwei (Taste)
Fostering Spiritual Creation with Magical Imagination—Experience and Inspiration From Mo Yan’s Literary Creation
Vision of Folk Culture and the Spirit of World Literature—An Analysis of Bizarre Phenomena in Mo Yan’s Novels
Exploring the Depth of History and Humanity—On the Horror Comedy Narrative of Mo Yan’s Fictional World and Its Aesthetic Value
Portraying Beauty by Promoting the Upright and Suppressing the Crooked—A Construction of the Life Itself in Mo Yan’s Novels
The Aesthetics of Existence and the Sinicization of Marxist Aesthetics
The Scale, Opportunity and Development of Postcolonial Eco-Criticism from a Post-Human Perspective
An Analysis of the Contradiction of Polyphonic Novel Theory and Its Inspiration to Chinese Literary Theory
20 Years of Chinese Online Literary Criticism
The Historical Choice and Purpose of Online Literature
Research on the Whole Copyright Operation of Online Literature
Classical Works (Dianwen), Good Works (Haowen) and Classical Writers: On “20 Years of Chinese Online Literature—The Collection of Dianwen and the Collection of Haowen”