issue 29,no.1(January 2022)

The Degradation and Restoration of the Functions of Contemporary Literary Theory
The Function and Direction of Literary Theory
Facing the Problem and Reshaping the Principle
The Production of Knowledge in Contemporary Chinese Literary Theory from an Intergenerational Perspective
The Three Forms of Discourse in Literary Theory and the Paths of Their Construction
Fate Is Like Smoke and Poetry Is Like a Song: A Reading of Ge Fei’s Novels
The Return, Application, and Value of Traditional Chinese Aesthetic Resources: Examining Ge Fei’s Neoclassical Style from His Recent Works
“Only the Spring Breeze Is Blowing There”: Examining the Narration of Time in Wang Chunfeng (Looking at the Spring Breeze)
On the Ecological Narration of Ge Fei’s Novels: Centering on Wang Chunfeng (Looking at the Spring Breeze)
On Xing and Passion
The Dionysian Spirit and the Generation of the Poetic Discourse of “Xing”
Towards a Mutual Interpretation of the Chinese “Xing” and the Western “Metaphor”
A Comparison of the Aesthetic Sacredness of “Xing” and “Madness”: Based on Semir Zeki’s Neuroaesthetics
A Unique Approach in the Fable of Theory: Discussions on Zhang Xudong’s Criticism of Theory
Interaction and Common Prosperity of Criticism, Theory and Creation: A Review of the Creation of Novellas and Short Stories in the New Period
Theoretical Self-Consciousness and Its Misunderstandings of Contemporary Literary Criticism
“Narrative Poems” of Girls: A Review of Female-Lead Online Novels in Chinese Literature (2020-2021)
The Inward Turn of “Male-Oriented” Novels: A Review of Male-Lead Online Novels in Chinese Literature (2020-2021)