issue 14,no.2(April 2018)

The “ Yijing” Dispute: Returning from Theory to Artistic Practice
The Establishment of “Aesthetics” Discipline in Modern China: From “Poetry and Prose” to “Fine Arts/Aesthetics”
Zhu Guangqian’s Criticism on Kant-Croce Aesthetics in the Early Period: From The Psychology of Literature and Art to A Review of Croce’s Philosophy
Zhu Guangqian’s Aesthetic Research in Sichuan during the War of Resistance against Japan
Children’s Literature in Focus “Waterside” Boy and the Conjunction of “Water,” “Fire” and “Soil”: The Multiple Meanings of the “Scenery” in “Cao Wenxuan’s New Novels”
Writing of Childlike Innocence and Style Exploration: Reflection on Zhang Wei’s Recent Work of Children’s Literature
Explorer in a Fantasy World: On the Genre and Anti-Genre of Yang Peng’s Children’s Fantasy Literature
Methods and Problems of the Historical Narrative of Minority Literature in the New Century: A Discussion Centered on Tibetan Yi Corridor Writers
Reflection on the Two Modes of Rural Narrative of Ethnic Literature in Recent Years
From Essence to Relationship: The Construction Method of the Subjectivity of Ethnic Minority Fictions and Reflections
Examination on Contemporary Daliangshan Yi Poet Group from the Literary-Sociological Horizon
Modern and Contemporary Chinese Fiction and World Literature
Rethinking, Reforming and Rejuvenating Traditional Culture: A Perspective from Hundred-Year Practice of the Two Cultural Heritages of the New Culture Movement
Analyzing the Ideological Dilemma in the Debate of “Anti-Essentialism”