issue 23,no.3(July 2020)

The Expectation of Literary History on the Creation of “New Characters” in Chinese Literature since 1949
“New Characters” in Literature as an Aesthetic Ideal
Three Dimensions of Rural “New Characters” in Recent Years
On the Twofoldness of Imagery
The Analysis of Aesthetic Psychology and the Interpretation of Phenomenological Aesthetics: The Ontological Construction of the Aesthetics of “Imagery” since the 1980s
The Significance of “Imagery Generation” in the Creation and Interpretation of Art
The “Fusion of Feeling and Setting” in the Theory of Imagery: Theoretical Complementarity Based on Formalism and Psychoanalysis
Life Events, Literary Works and the Person: Research on Lao She in the 21st Century and Its Prospects
On the Relation Between Lao She and the Left-Wing Literary Circle: The Revision of Rickshaw Boy’s 1955 Edition
Cultural Memory and Concern for the People: A Re-Interpretation of Lao She’s Teahouse
Debates on Postmodernism in China: Reflection and Inspiration
Forty Years of the Chinese Reception of Western Postmodernism: The Process and Its Problems
From Western Literary Theory to Marxist-Leninist Literary Theory: The Shift of Cultural Identity and the Construction of Chinese Subjectivity
The Concept of “Autonomy of Art” in the West and Paradigmatic Innovations in Contemporary Chinese Literary Theory
On “Boundless Realism” in Cyberliterature: 20 Years of Realist Themes in the “Boundless Realism” in Cyberliterature
The Quest for Reality in the Media Transformation and Cultural Combination: A Study on the Adaptation of Cyberliterature with Realist Themes in Recent Years
The Readers’ Response to Cyberliterature with Realist Themes: Take the Exchanges within the Readers’ Community of The Heavy Industry of a Great Nation as an Example