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Chinese Journal of Literary Criticism
issue 22,no.2(April 2020)
- Go Back and Find Your “Relatives”: Comments on the New Work Life Is Like Ocean Written by Mai Jia
- Indirect Narration, Legend, Unreliable Narration and Autobiographical Text: Four “Calling Structures” in Life Is Like Ocean
- Reaffirming the Dream of “Writing for the Chinese Language”: On the Language Problem of Mai Jia’s Life Is Like Ocean
- Deciphering the Genre “Code” of Mai Jia
- Reconstructing Textual Poetics: The Way and Method for Chinese Literary Theory’s “Going Global”
- From “Aphasia” to “Going Global”: The Contemporary Construction and Its Influence of Chinese Literary Theory
- On Overseas English Translation of The Literary Mind and the Carving of Dragons and Its Acceptance
- Roles and Professions
- On the Beauty of the Chinese Drama Principle “Original Character with Professionalism”
- Aesthetic Characteristics of Sacrificial Drama
- From Dramatic Conflict to Destiny Conflict:The Poetic Formation of Cao Yu’s Plays
- Reconsidering the Classical Meaning and Aesthetic Value of Cao Yu’s Plays
- For the Ultimate Dramatic Effect: On the Converse Conception of The Wilderness
- On the “Cao Yu Phenomenon”
- The Dialogue in the History of Literature: Exploring the Theme of Modern Women’s Growth by “Intertextuality”
- Urban and Rural Writing and the Gender Consciousness of “Post-70s” Female Writers