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Chinese Journal of Literary Criticism
2018
- Exploration, Choice, Transcendence: A Review of the Researches of Chinese Marxist Literary Theory in the Past Forty Years
- The Sinicization and Contemporiness of Marxist Art Production Theory
- Reflections on Studies of Literary Ideology in the Past 40 Years: From the Perspectives of Ideology and Non-Productivity
- Negotiation between Zhongqing (Emotional) and Wuqing (Emotionless): On the Inner Contradiction of the Wei-Jin Style
- On Wang Fuzhi’s Poetics of Shenli (Philosophy and Spirit)and Criticism Practice
- The Unfolding and Deepening of the Notion of Nature: On the Influence of Lao-Zhuang Thought on the Chinese Aesthetic Spirit
- Original Confucianism: Interaction Between Ethics and Aesthetics
- Cultural Exploration and Spiritual Transcendence: On the Value Orientation of Zhang Wei’s Novel The Secret History of Aiyue Castle
- Innocent Poet and Lonely Dreamer in the Age of Materialism: A Preliminary Comment on Zhang Wei
- On the Imagery of You Are on the Plateau
- Reflections on Zhou Zuoren Studies
- Wandering Between the “Study of Humanity” (Renxue) and the “Study of Literature” (Wenxue): Reflections on Zhou Zuoren’s Literary Views and Related Researches
- The Lack of Value Criticism and National Consciousness: On the Research of the “Transcendence” in Zhou Zuoren’s Prose
- The Mystification and Disenchantment of Research on Zhou Zuoren’s Thoughts on Female
- A Regional Example of the Transformation of Modern Chinese Civilization: Taking Qingmuchuan as an Example
- On Yu Hua’s Passive Avant-Garde Narration: A Brief Analysis on To Live and Chronicle of a Blood Merchant
- Bi Feiyu’s Fictional Creation Theory: An Exploration Based on His Reading Experience
- Warm and Thoughtful Literary Criticism: An Analysis of Bi Feiyu’s Fiction Class
- Unspeakable Anguish: A Study of Bi Feiyu’s Trauma Writing
- How Can Time Be Broken: On Bi Feiyu’s Short Story Creation in the New Century
- Utility as Essence, Simple and Elegant: The Aesthetics of Traditional Chinese Utensils Design
- On “Tao” (the Way) and “Qi” (Artifact) and the Aesthetic Thoughts of Ancient Chinese Utensils
- On the Characteristics of the Aesthetics of Utensils
- The Destiny of Rural Writings in Social Transformation
- The Spirit of Chinese Culture in Rural Fiction in the New Era
- An Analysis of the Relationship between Channels and Contents of Online Literature
- The Narrative Grammar of Chinese Online Fantasy Novel
- The Medium of Choice on the Way of “Online Literature” to Television: Starting from the “Deleted Parts” of the TV Play The Legend of Zhen Huan
- Erich Auerbach and Qian Zhongshu’s Inspirations as Entry Point
- The Early Modern Aesthetic Planning of the Outspoken Subject: A Case Study of the Categories of the “Nature” by Wang Gen and Rousseau
- The “Beauty” in “Evil”: A Comparative Study of Shao Xunmei’s Floral Sin and Baudelaire’s The Flowers of Evil
- The Translation, Acceptance and Influence of Twentieth-Century American Left-Wing Literature in China
- The “ Yijing” Dispute: Returning from Theory to Artistic Practice
- The Establishment of “Aesthetics” Discipline in Modern China: From “Poetry and Prose” to “Fine Arts/Aesthetics”
- Zhu Guangqian’s Criticism on Kant-Croce Aesthetics in the Early Period: From The Psychology of Literature and Art to A Review of Croce’s Philosophy
- Zhu Guangqian’s Aesthetic Research in Sichuan during the War of Resistance against Japan
- Children’s Literature in Focus “Waterside” Boy and the Conjunction of “Water,” “Fire” and “Soil”: The Multiple Meanings of the “Scenery” in “Cao Wenxuan’s New Novels”
- Writing of Childlike Innocence and Style Exploration: Reflection on Zhang Wei’s Recent Work of Children’s Literature
- Explorer in a Fantasy World: On the Genre and Anti-Genre of Yang Peng’s Children’s Fantasy Literature
- Methods and Problems of the Historical Narrative of Minority Literature in the New Century: A Discussion Centered on Tibetan Yi Corridor Writers
- Reflection on the Two Modes of Rural Narrative of Ethnic Literature in Recent Years
- From Essence to Relationship: The Construction Method of the Subjectivity of Ethnic Minority Fictions and Reflections
- Examination on Contemporary Daliangshan Yi Poet Group from the Literary-Sociological Horizon
- Modern and Contemporary Chinese Fiction and World Literature
- Rethinking, Reforming and Rejuvenating Traditional Culture: A Perspective from Hundred-Year Practice of the Two Cultural Heritages of the New Culture Movement
- Analyzing the Ideological Dilemma in the Debate of “Anti-Essentialism”
- Research on Xi Jinping Thought on Literature and Art
- The Light on the Beauty Comes from the Mind: Zong Baihua’s Enunciation of Chinese Aesthetics and Art
- Zhu Guangqian’s Aesthetic Construction and Global Consciousness
- The Change of the Mode of Epistemology: From the Theory of Reflection,the Theory of Aesthetic Reflection， to the Theory of Cultural Studies
- The “Worldly Affairs and the Public Feelings ” in Urban-Rural Relationship: On Fan Xiaoqing’s Short Stories of Worldly Affairs
- The Consciousness of Cultural Tradition and Artistic Imagination in Fan Xiaoqing’s Tea Trees in Yougang Graveyard
- The Choice and Commitment in the Transitional Era: On Fan Xiaoqing’s Guixiang Street
- Ambiguous Identity and the Loss of Self: Rereading Fan Xiaoqing’s Female Comrade
- The Possibility of Concrete Universality of Literature
- On the Spirit of Realism
- The Causes of the Trend of Scientism Criticism and Its Inspiration
- Online Literature 2017 Annual Recommendation List